Skip to main content

In the cultivation of research excellence – is rigour a no-brainer?

Buy Article:

$18.00 plus tax (Refund Policy)


This article explores the metaphor of ‘rigour’ and challenges its suitability for encouraging research ‘excellence’ within universities. By way of illustration, the author proposes a non-linear writing method that, when supported by good tutelage, renders plagiarism virtually impossible. The system grew out of the Design Futures, Masters in Art (M.A.), at Goldsmiths, University of London, which help designers to write more usefully, and to enable them to re-purpose their writing. This tetrahedral writing structure was designed to subvert imposed rigour by fostering a more dynamic, collective, ethical and entrepreneurial approach.

Keywords: Research Excellence Framework; academic rigour; dyslexia; research

Document Type: Research Article


Affiliations: Goldsmiths, University of London

Publication date: 2012-03-28

More about this publication?
  • The Journal of Writing in Creative Practice is the official organ of the Writing Purposefully in Art and Design (Writing PAD) network. It offers art and design institutions an arena in which to explore and develop the notion of thinking through writing as a parallel to visual discourse in art and design practice. The journal aims to extend the debates to all national and international higher educational art and design institutions.
  • Editorial Board
  • Information for Authors
  • Subscribe to this Title
  • Ingenta Connect is not responsible for the content or availability of external websites
  • Access Key
  • Free content
  • Partial Free content
  • New content
  • Open access content
  • Partial Open access content
  • Subscribed content
  • Partial Subscribed content
  • Free trial content
Cookie Policy
Cookie Policy
Ingenta Connect website makes use of cookies so as to keep track of data that you have filled in. I am Happy with this Find out more