Abstract:This short manifesto was written with input from Chris Glynn (UWIC), Desdemona McCannon (MMU) and Harriet Edwards (RCA) in response to a collaborative writing workshop facilitated by Julia Lockheart (Goldsmiths, University of London) at Swansea Metropolitan University in 2011. During the workshop we became very animated with the idea of images being downtrodden and being seen as lacking in 'rigour' as a contribution towards critical discourse. The large sheet of paper we were using to develop ideas was covered in Chris's comic drawings of generals marching, people with loudspeakers and the like (see Visual Essay, P**). The manifesto, although two of it authors are illustrators, does not use images to proclaim it's message, as images are largely mute, but it is full of visual language. We tried to condense ideas into metaphors as much as possible, and kept the statements pared back and minimal. The tone of the manifesto was generated by the spirit of the collaborative discussion we had had. As I wrote the first draft later the same day, it was infused with Chris's wit and humour and Harriet's insistence on the importance of visual thinking. Later Chris and I refined it to its present form.
Document Type: Research Article
Publication date: December 22, 2011
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- The Journal of Writing in Creative Practice is the official organ of the Writing Purposefully in Art and Design (Writing PAD) network. It offers art and design institutions an arena in which to explore and develop the notion of thinking through writing as a parallel to visual discourse in art and design practice. The journal aims to extend the debates to all national and international higher educational art and design institutions.
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