The German newsreel company Deutsche Wochenschau spearheaded the cultural invasion following military takeover in most German-occupied European countries. But where in Scandinavia was Germany most successful in disseminating newsreel propaganda? In oppressively occupied Norway, collaborating
Denmark, or in neutral Sweden, where Nazi newsreels were also distributed? This article proposes that German propaganda aspirations followed a European master plan, namely to integrate local, German and international items in a seamless unity, and that an important criterion for success was
to insert German newsreels as smoothly as possible into the Nordic countries. This set certain requirements pertaining to what material localized newsreels exposed, how this content was presented, and finally, the manner in which Nazi newsreels were introduced in the respective countries.
Danish Film Institute 2:
Lund University 3:
Lillehammer University College
Publication date: November 19, 2012
More about this publication?
The Journal of Scandinavian Cinema is a new scholarly journal devoted to film in the Scandinavian countries. It aims to become the prime site for excellent research and engaging discussions on cinema in Scandinavia, both within the national context of Denmark, Finland, Iceland, Norway and Sweden, and as a region existing in a globalized world.