This article analyses Norwegian occupation dramas from 1946 to 2009. Tracing the history of the genre, it highlights ways in which the uses, interpretations and representations of war experiences have shifted from a focus on trauma to a cult of heroism. This discussion of a distinct
genre in Norwegian cinema is linked to theories of communicative and cultural memory that are used to explain changes in the representation of the war years.
The Journal of Scandinavian Cinema is a new scholarly journal devoted to film in the Scandinavian countries. It aims to become the prime site for excellent research and engaging discussions on cinema in Scandinavia, both within the national context of Denmark, Finland, Iceland, Norway and Sweden, and as a region existing in a globalized world.