The revelation of TV memories in The Black Power Mixtape 1967–1975
The timely subject of revolutionary struggle and the exotic record of films intended for a Swedish TV audience propelled the recent success of The Black Power Mixtape 1967–1975 by Göran Hugo Olsson (2011). The film exemplifies the processes of selection and re-enactment that are immanent to compilation aesthetics, while drawing attention to the overlooked archive memory of public television.
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Document Type: Research Article
Affiliations: Stockholm University
Publication date: 2012-08-29
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- The Journal of Scandinavian Cinema is a new scholarly journal devoted to film in the Scandinavian countries. It aims to become the prime site for excellent research and engaging discussions on cinema in Scandinavia, both within the national context of Denmark, Finland, Iceland, Norway and Sweden, and as a region existing in a globalized world.
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