Skip to main content

The revelation of TV memories in The Black Power Mixtape 1967–1975

Buy Article:

$18.00 plus tax (Refund Policy)

Abstract:

The timely subject of revolutionary struggle and the exotic record of films intended for a Swedish TV audience propelled the recent success of The Black Power Mixtape 1967–1975 by Göran Hugo Olsson (2011). The film exemplifies the processes of selection and re-enactment that are immanent to compilation aesthetics, while drawing attention to the overlooked archive memory of public television.

Keywords: TV archives; compilation film; documentary; historical representation; narrative imagination; public broadcasting; television history

Document Type: Research Article

DOI: https://doi.org/10.1386/jsca.2.2.113_1

Affiliations: Stockholm University

Publication date: 2012-08-29

More about this publication?
  • The Journal of Scandinavian Cinema is a new scholarly journal devoted to film in the Scandinavian countries. It aims to become the prime site for excellent research and engaging discussions on cinema in Scandinavia, both within the national context of Denmark, Finland, Iceland, Norway and Sweden, and as a region existing in a globalized world.
  • Editorial Board
  • Information for Authors
  • Subscribe to this Title
  • Ingenta Connect is not responsible for the content or availability of external websites
  • Access Key
  • Free ContentFree content
  • Partial Free ContentPartial Free content
  • New ContentNew content
  • Open Access ContentOpen access content
  • Partial Open Access ContentPartial Open access content
  • Subscribed ContentSubscribed content
  • Partial Subscribed ContentPartial Subscribed content
  • Free Trial ContentFree trial content
UA-1313315-26
Cookie Policy
X
Cookie Policy
Ingenta Connect website makes use of cookies so as to keep track of data that you have filled in. I am Happy with this Find out more