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CREATIVE SCREENWRITING: UNDERSTANDING EMOTIONAL STRUCTURE, CHRISTINA KALLAS (TRANS. JOHN HOWARD) (2010) Basingstoke: Palgrave Macmillan, 224 pp., ISBN 978-0230221413, Paperback, £16.99; ISBN 978-0230221406, Hardback, £50.00 WRITING FOR THE SCREEN: CREATIVE AND CRITICAL APPROACHES, CRAIG BATTY AND ZARA WALDEBACK (2008) Basingstoke: Palgrave Macmillan, 224 pp. ISBN 978-0230550759, Paperback, £14.99 ANALYSING THE SCREENPLAY, JILL NELMES (ED.) (2011) Oxford and New York: Routledge, 288 pp. ISBN 978-0415556347, paperback, £22.99 BEYOND AUTEURISM: NEW DIRECTIONS IN AUTHORIAL FILM PRACTICES IN FRANCE, ITALY AND SPAIN SINCE THE 1980s Rosanna Maule (2008), Bristol: Intellect, 294 pp., ISBN 978-1841502045, Hardback, £41.50

Document Type: Research Article

DOI: http://dx.doi.org/10.1386/josc.2.2.291_5

Affiliations: 1: Goldsmiths College, University of London 2: Independent Researcher 3: University of Copenhagen 4: Oxford Brookes University

Publication date: March 15, 2011

More about this publication?
  • The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting, the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
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