Re-writing Paul Laverty’s screenplay – The Wind that Shakes the Barley (2006)
This article analyses two drafts of Paul Laverty’s screenplay The Wind that Shakes the Barley (2004b, 2005), pointing out that the changes from the first draft to the second draft focus on a single protagonist and emphasize the narrative drive, prioritizing these over informational detail and scenes which do not have a clear narrative function. In this study, I argue, re-writing acts as a refining and filtering process, in which only the essential parts of the story are retained while the model of ‘cause’ then ‘effect’ is applied to ensure the linearity of the action.
No Reference information available - sign in for access.
No Citation information available - sign in for access.
No Supplementary Data.
No Article Media
Document Type: Research Article
Affiliations: University of East London
Publication date: 15 March 2011
More about this publication?
- The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting, the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
- Editorial Board
- Information for Authors
- Subscribe to this Title
- Intellect Books page
- Ingenta Connect is not responsible for the content or availability of external websites