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Creating Authorship? Lindsay Anderson and David Sherwin's collaboration on If. (1968)

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Abstract:

This article draws upon the research currently undertaken for my doctoral thesis and is meant to act as a complementary study of Lindsay Anderson and David Sherwin's partnership on If. (1968), following Charles Drazin's 2008 article for the Journal of British Cinema and Television, If before If. Charles Drazin (2008: 318) highlights the idea of a creative dynamic underlying the working partnership between Lindsay Anderson and David Sherwin on If., as well as in the subsequent projects they developed together. The following article aims to uncover the nature of the creative dynamic suggested by Drazin's article by looking at both the personal and the artistic dimensions that the working relationship assumed. The aim is to highlight the distinctiveness of their collaboration in the cinema; the article will show that in the course of this collaborative work they realized their artistic potential through an exchange of expertise, and that their collaboration helped to bring about an alternative approach to the conventional opposition between screenwriter and director, especially when it comes to claiming authorship over a film.

Keywords: David Sherwin; Franois Truffaut; Lindsay Anderson; authorship; collaboration; process of equivalence; script to screen transition; sequence 5; une certaine tendance du cinma franais

Document Type: Research Article

DOI: https://doi.org/10.1386/josc.1.1.131/1

Affiliations: University of Stirling.

Publication date: 2010-01-01

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  • The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting, the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
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