Capture, manipulate, project, preserve: A compositional journey
Much of the text in this article first appeared as an invited keynote presentation given at the From Tape to Typedef; Compositional Methods in Electroacoustic Music symposium held at the University of Sheffield, UK, from 30 January to 2 February 2013 and charts a personal compositional journey from the early 1980s to the present day, referencing compositional methodologies and remarking on what has changed (if anything) over a 30-year career composing with technology on fixed media. The relationship between soundscape composition and acousmatic music is examined with reference to a number of projects and pieces of music including Peel, ABZ/A, Gordon Soundscape, scènes, rendez-vous and the Three Cities Project.
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Document Type: Research Article
Affiliations: University of Aberdeen
Publication date: 2013-12-01
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- The Journal of Music, Technology and Education (JMTE) explores the issues concerning the use of technology in music education. It examines pedagogy at all levels and across genres such as composition, musicology, performance and music production. It is the only journal specifically dedicated to the educational aspects of music technology and the technological aspects of music. Peer-reviewed, with an international editorial board, JMTE aims to draw its contributions from a broad community of educators, researchers and practitioners who are working closely with new technologies in the fields of music education and music technology education.
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