The cinematic sublime, or certain resistances between theory and practice

Author: Fuery, Patrick

Source: Journal of Media Practice, Volume 5, Number 2, 1 September 2004 , pp. 81-88(8)

Publisher: Intellect

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Abstract:

This article will look at the necessity for certain types of resistance between theory and practice in film. It will argue that these are important because they represent the moments of creativity and production. As such these are the resistances to stability, compromise, and the good. The eidos of such resistances will be worked through the idea of the cinematic sublime - the moment where theory and practice meet.

Keywords: Film theory and practice; aesthetics; psychoanalysis; sublime

Document Type: Research Article

DOI: http://dx.doi.org/10.1386/jmpr.5.2.81/0

Affiliations: University of Sussex

Publication date: September 1, 2004

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  • The Journal of Media Practice is a peer-reviewed publication addressing practical work in media teaching and research. To this end, the editorial board and consultative panels comprise prominent academics and practitioners from a range of disciplines committed to the achievement of academic and professional ends through means centred on practical work.
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