Outside looking in: European popular musics, language and intercultural dialogue
This article briefly outlines some theoretical and methodological approaches to European popular musics specific to modern languages research. Outlining aspects of the relationship between languages, cultural studies and popular music studies, it suggests that the epithet ‘European’ cannot be appended to ‘popular music’ without some form of transformative reaction taking place. It illustrates this argument with reference to French popular musics specifically, looking at taxonomy, the notion of chanson and cultural history. It concludes that, as outsiders looking in, scholarly linguists are professional interculturalists. They do not simply ‘interpret’ between monocultures that need to ‘converse’: they actually are the ‘conversation’.
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Document Type: Research Article
Affiliations: University of Leeds
Publication date: 01 April 2013
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- The Journal of European Popular Culture investigates the creative cultures of Europe, present and past. Exploring European popular imagery, media, new media, film, music, art and design, architecture, drama and dance, fine art, literature and the writing arts, and more, the journal is also of interest to those considering the influence of European creativity and European creative artefacts worldwide.
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