Plein Soleil/Purple Noon (Renè Clement 1960)
and The Talented Mr Ripley (Anthony Minghella 1999), Der amerikanische Freund/The American Friend (Wim Wenders 1977) and Ripley's Game (Liliana Cavani 2004), this article examines the meaning of Europe for Americans and of American popular culture for Europeans. The conclusion
is drawn that American attraction to European ‘high culture’ and European desire for American cultural commodities work as a metaphor for American cultural, economic and political colonialism, beginning in the nineteenth century, accelerating after World War II and continuing into
the post-Soviet globalized era. Underpinning this argument is the recurrent theme of forgery and stolen identity.]]>
The Journal of European Popular Culture investigates the creative cultures of Europe, present and past. Exploring European popular imagery, media, new media, film, music, art and design, architecture, drama and dance, fine art, literature and the writing arts, and more, the journal is also of interest to those considering the influence of European creativity and European creative artefacts worldwide.