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Re-mapping cinema for the twenty-first century: Globalism, borders, and bodies in the films of Lukas Moodysson

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‘Re-mapping cinema for the twenty-first century’ looks at the four Swedish-language feature-length fiction films of Director Lukas Moodysson. The article argues for three major points: the assessment of Moodysson's work across thematic readings; the use of Moodysson's production methods and textual messages to challenge questions of national and even regional culture (in this case Swedish, European/western) in an age of transnational digital media; and to analyse these films as an illustration of the role of post-Soviet economic and technological developments in reshaping our understandings of identity, in particular those corresponding to gender and sexuality.
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Keywords: Lukas Moodysson; digital media; gender and sexuality; globalization; technology; transnational cinema

Document Type: Research Article

Publication date: 01 December 2010

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  • The Journal of European Popular Culture investigates the creative cultures of Europe, present and past. Exploring European popular imagery, media, new media, film, music, art and design, architecture, drama and dance, fine art, literature and the writing arts, and more, the journal is also of interest to those considering the influence of European creativity and European creative artefacts worldwide.
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