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Rest Sleep Wake: Soma–science scores for performing sleep

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As a post-performance reflection, this article addresses the complexities of a number of different issues surrounding the dramaturgies of art–science collaborations and the role of agency when spread across multiple collaborators. It includes comment from the voices – artistic, scientific and academic – involved in shaping Revolve from dusk to dawn and speculates on the impacts of the research and production. Revolve is an interactive performance inspired by sleep science (chronobiology); it was previewed as part of SEAM2011, 17–18 September 2011, at Critical Path in Sydney, premiered in Christchurch, New Zealand, during the Body Festival, 4–5 October 2011, and presented as a lecture performance during the Somatics and Technology 2012 Conference, University of Chichester, 23 June 2012.
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Keywords: art–science collaboration; generative sound; interactive performance; sleep science; sleep/wake rhythms; wearable technology

Document Type: Research Article

Affiliations: 1: University of Auckland and Roehampton University 2: Victoria University of Wellington 3: Critical Path 4: Raukatauri Music Therapy Centre

Publication date: 2013-10-01

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  • This journal focuses on the relationship between dance and somatic practices, and the influence of this body of practice on the wider performing arts. The journal will be aimed at scholars and artists, providing a space for practitioners and theorists to debate the work, to consider the impact and influence of the work on performance, the interventions that somatic practices can have on other disciplines and the implications for research and teaching.
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