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A conversation with Ray Chung

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This article is an interview with Ray Chung, a leading Contact Improvisation teacher and dancer. The conversation revolves around three areas: it addresses CI's application into movement for actors, it unfolds the intricate relation between moving, thinking and feeling when training in and performing CI while it also gives an invaluable insight into Ray's teaching methods of confronting his students' habits.
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Keywords: COMPOSITION; CONNECTION; CONSCIOUSNESS; CONTACT IMPROVISATION; FOCUS; HABITS

Document Type: Regular Paper

Publication date: 2010-07-01

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  • This journal focuses on the relationship between dance and somatic practices, and the influence of this body of practice on the wider performing arts. The journal will be aimed at scholars and artists, providing a space for practitioners and theorists to debate the work, to consider the impact and influence of the work on performance, the interventions that somatic practices can have on other disciplines and the implications for research and teaching.
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