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EXHIBITION REVIEWS

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Abstract:

7th BERLIN BIENNALE: FORGET FEAR Curated by Artur Żmijewski in collaboration with associate curator Joanna Warsza and the art collective Voina, presented at the KW Institute for Contemporary Art and other venues (27 April-1 July 2012), Berlin

PRETERNATURAL Curated by Celina Jeffery, Canadian Museum of Nature (9 December 2011-4 March 2012), St. Brigid's Centre for the Arts (10 December 2011-17 February 2012), and Patrick Mikhail Gallery (4 January-7 February 2012), Ottawa

U-N-F-O-L-D: A CULTURAL RESPONSE TO CLIMATE CHANGE Curated by David Buckland and Chris Wainwright, Anna-Maria and Stephen Kellen Gallery, Parsons The New School for Design, New York (30 September-15 December 2011). An exhibition first shown at the University of Applied Arts, Vienna (18 May-8 June 2010) and traveling to seven locations, most recently at Liverpool John Moores University, Liverpool (8 March-26 April 2012).

Document Type: Review Article

DOI: http://dx.doi.org/10.1386/jcs.1.3.369_7

Affiliations: 1: Richard F. Brush Art Gallery, St. Lawrence University 2: University of Ottawa 3: York University

Publication date: December 5, 2012

More about this publication?
  • The Journal of Curatorial Studies is an international, peer-reviewed publication that explores the cultural functioning of curating and its relation to exhibitions, institutions, audiences, aesthetics and display culture. The journal takes a wide perspective in the inquiry into what constitutes "the curatorial." Curating has evolved considerably from the connoisseurship model of arranging objects to now encompass performative, virtual and interventionist strategies. While curating as a spatialized discourse of art objects remains important, the expanded cultural practice of curating not only produces exhibitions for audiences to view, but also plays a catalytic role in redefining aesthetic experience, framing cultural conditions in institutions and communities, and inquiring into constructions of knowledge and ideology.
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