Socially Engaged Art, Emerging Forms of Civil Society: Early 1990s Exhibitions in Budapest and Bucharest
Through a contextual reading and critical analysis of two post-1989 art exhibitions in Hungary and Romania, Polyphony (1993) and Exhibition 01010101 (1994), this article explores the distinct role played by curatorial discourses and socially engaged contemporary art in catalyzing locally emerging forms of democracy in the early 1990s. These exhibitions reveal the paradox of civil society in the wake of communism. Embracing a neoliberal approach, they juxtapose a desire for collective change against a longing to participate in the contemporary international art scene.
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Document Type: Research Article
Affiliations: University of Pittsburgh
Publication date: 05 December 2012
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- The Journal of Curatorial Studies is an international, peer-reviewed publication that explores the cultural functioning of curating and its relation to exhibitions, institutions, audiences, aesthetics and display culture. The journal takes a wide perspective in the inquiry into what constitutes "the curatorial." Curating has evolved considerably from the connoisseurship model of arranging objects to now encompass performative, virtual and interventionist strategies. While curating as a spatialized discourse of art objects remains important, the expanded cultural practice of curating not only produces exhibitions for audiences to view, but also plays a catalytic role in redefining aesthetic experience, framing cultural conditions in institutions and communities, and inquiring into constructions of knowledge and ideology.
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