Authors: Tedford, Catherine; Glessing, Jill; Fotiadi, Eva

Source: Journal of Curatorial Studies, Volume 1, Number 2, 13 June 2012 , pp. 233-244(12)

Publisher: Intellect

Abstract:

STUCK UP: A SELECTED HISTORY OF ALTERNATIVE & POP CULTURE TOLD THROUGH STICKERS Curated by DB Burkeman, first exhibited at SCOPE Art Fair, Miami, FL, 29 November-4 December 2011. Traveling to Maxwell Colette Gallery, Chicago, IL, 20 January-3 March 2012; 323East Gallery, Royal Oak, MI, 24 March-15 April 2012; U.G.L.Y. Gallery, New Bedford, MA, 21 April-4 May 2012; and other venues.

STICKERS: FROM PUNK ROCK TO CONTEMPORARY ART, DB BURKEMAN, WITH MONICA LOCASCIO New York: Rizzoli (2010), 300 pp., ISBN 978-0-7893-2081-0, Paperback, US$35.00

SANJA IVEKOVIĆ: SWEET VIOLENCE Curated by Roxana Marcoci, Museum of Modern Art, New York, 18 December 2011 - 26 March 2012

RECOLLECTIONS, PARTI: BEWOGEN BEWEGING (1961) AND DYLABY (1962) Curated by Margriet Schavemaker, Stedelijk Museum Amsterdam/Temporary Stedelijk 2, 3 March-8 July 2011

Document Type: Research article

DOI: http://dx.doi.org/10.1386/jcs.1.2.233_7

Publication date: 2012-06-13

More about this publication?

• The Journal of Curatorial Studies is an international, peer-reviewed publication that explores the cultural functioning of curating and its relation to exhibitions, institutions, audiences, aesthetics and display culture. The journal takes a wide perspective in the inquiry into what constitutes "the curatorial." Curating has evolved considerably from the connoisseurship model of arranging objects to now encompass performative, virtual and interventionist strategies. While curating as a spatialized discourse of art objects remains important, the expanded cultural practice of curating not only produces exhibitions for audiences to view, but also plays a catalytic role in redefining aesthetic experience, framing cultural conditions in institutions and communities, and inquiring into constructions of knowledge and ideology.
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