Skip to main content

Journal of Contemporary Painting responds to the territory and practice of contemporary painting in its broadest sense, viewing painting as a context for discussion, exploring its sphere of history and influence, rather than as a medium specific debate. The JCP combines a thematic approach with an open call, each issue opening up and problematising pressing concerns in contemporary painting.

As well as contributions to current debates on contemporary art, a particular feature of the Journal of Contemporary Painting is the publication of archival or newly translated texts alongside current responsive articles, based on the premise that contemporary painting cannot be understood without reflecting on its history. Dedication to understanding the nature and forms of painting research has also led to the inclusions of an original visual essay for every edition. Additionally we respond to current exhibitions, books and symposia, nationally and internationally, in our reviews section.

Our aim is to be responsive to current debates in painting and related art practices, drawing from a wide geographical field and across discipline boundaries to provide a discursive space in which a range of subject specialisms can be brought to bear on the culture of painting. We are particularly interested in writing emerging from practice-based research as well as from academics working in different disciplines.

Publisher: Intellect

More about this publication?
Volume 1, Number 1, 1 April 2015

Introduction

Free Content Introduction
pp. 3-4(2)
Author: Fortnum, Rebecca

Favourites:
ADD

Editorial

Free Content Editorial
pp. 5-9(5)
Authors: Finch, Mick; Harland, Beth

Favourites:
ADD

Archival Text

Free Content Extract from The World Viewed
pp. 11-17(7)
Author: Cavell, Stanley

Favourites:
ADD

Articles

Free Content Response to Stanley Cavell’s The World Viewed
pp. 19-26(8)
Author: Jenner, Paul

Favourites:
ADD

Visual Essay

Free Content Visual Essay
pp. 27-39(13)
Author: Reed, David

Favourites:
ADD

Articles

Favourites:
ADD

Free Content Touch screen
pp. 55-64(10)
Author: Donszelmann, Bernice

Favourites:
ADD
Favourites:
ADD

Free Content The unscripted image
pp. 91-106(16)
Author: Talbot, Emma

Favourites:
ADD
Favourites:
ADD

Free Content The influence of cinema on painting
pp. 123-146(24)
Author: Manghani, Sunil

Favourites:
ADD

Reviews

Free Content Reviews
pp. 163-189(27)
Authors: Bird, Jon; Dennis, Jeffrey; Maclean, Mary; Thomas, David; Chua, Dr Kevin; Hill, Dr Peter

Favourites:
ADD

  • Access Key
  • Free content
  • Partial Free content
  • New content
  • Open access content
  • Partial Open access content
  • Subscribed content
  • Partial Subscribed content
  • Free trial content
UA-1313315-26
Cookie Policy
X
Cookie Policy
Ingenta Connect website makes use of cookies so as to keep track of data that you have filled in. I am Happy with this Find out more