Abstract:FILM AND LITERATURE: AN INTRODUCTION AND READER – SECOND EDITION, TIMOTHY CORRIGAN (ED.) (2012) London: Routledge, 470 pp., ISBN: 978-0-415-56010-8, p/bk, £24.99
IN THE PEANUT GALLERY WITH MYSTERY SCIENCE THEATER 3000: ESSAYS ON FILM, FANDOM, TECHNOLOGY AND THE CULTURE OF RIFFING, ROBERT G. WEINER AND SHELLEY E. BARBA (EDS) (2011) Jefferson, NC: McFarland, 265 pp., ISBN: 0786445327, 9780786445325, p/bk, $40.00
WILLIAM GILLETTE: AMERICA’S SHERLOCK HOLMES, HENRY ZECHER (2011) New York: XLibris Corporation, 733 pp., ISBN: 978-1-4535-5580-4, p/bk, $22.50
Document Type: Research Article
Publication date: 2012-12-01
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- Adaptation, or the conversion of oral, historical or fictional narratives into stage drama has been common practice for centuries. In our own time the processes of cross-generic transformation continue to be extremely important in theatre as well as in the film and other media industries. Adaptation and the related areas of translation and intertextuality continue to have a central place in our culture with a profound resonance across our civilisation.
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