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Abstract:

SCRIPTWRITING FOR THE SCREEN, CHARLIE MORITZ (2008) Oxon: Routledge, 220 pp., ISBN 13: 978-0-415-46517-5, p/bk, £18.99

THE ENCHANTED SCREEN. THE UNKNOWN HISTORY OF FAIRY-TALE FILMS, JACK ZIPES (2011) New York: Routledge, 435 pp., ISBN978-0-415-99061-5, p/bk, $49.95

THE ADAPTAION INDUSTRY: THE CULTURAL ECONOMY OF CONTEMPORARY LITERARY ADAPTATION, SIMONE MURRAY (2012) New York and London: Routledge, 253 pp., ISBN 978-0-415-99903-8, £80.00

Document Type: Research Article

DOI: http://dx.doi.org/10.1386/jafp.5.2.215_5

Affiliations: 1: Edinburgh Napier University, Scotland, UK 2: Roma Tre University, Italy 3: Başkent University, Turkey

Publication date: October 4, 2012

More about this publication?
  • Adaptation, or the conversion of oral, historical or fictional narratives into stage drama has been common practice for centuries. In our own time the processes of cross-generic transformation continue to be extremely important in theatre as well as in the film and other media industries. Adaptation and the related areas of translation and intertextuality continue to have a central place in our culture with a profound resonance across our civilisation.
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