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Abstract:

INGMAR BERGMAN’S ‘THE SILENCE’, MAARET KOSKINEN (2010) Copenhagen: Museum Tuscalanum Press, 208 pp., ISBN: 978-87-635-3159-7, p/bk, £16.99

DAGUR KARI’S ‘NOI THE ALBINO’, BJÖRN NORDFJÖRD (2010) Copenhagen: Museum Tuscalanum Press, 165 pp., ISBN: 978-87-635-3160-3, p/bk, £15.99

LONE SCHERFIG’S ‘ITALIAN FOR BEGINNERS’, METTE HJORT (2010) Copenhagen: Museum Tuscalanum Press, 277 pp., ISBN: 978-87-635-3483-3, p/bk, £25.00

THEORIZING NARRATIVITY, JOHN PIER AND JOSÉ ANGELGARCIA LANDA (EDS) (2008) Berlin and New York: Walter de Gruyter GmbH & Co, 464 pp., ISBN: 978-3-11-020244-1, h/bk, $10.00

ANALYZING LITERATURE-TO-FILM ADAPTATIONS: A NOVELIST’S EXPLORATION AND GUIDE, MARY H. SNYDER (2011) New York and London: Continuum, 320 pp., ISBN 9781441168184, p/bk, £17.99

TRUE TO THE SPIRIT: FILM ADAPTATION AND QUESTION OF FIDELITY, COLIN MACCABE, KATHLEEN MURRAY AND RICK WARNER (EDS) (2011) Oxford: Oxford University Press, 250 pp., ISBN: 978-0-19-537467-4, p/bk, $24.95

Document Type: Research Article

DOI: http://dx.doi.org/10.1386/jafp.5.1.93_5

Affiliations: 1: University of Hertfordshire, UK 2: Baş¸kent University, Ankara, Turkey 3: Bangor University, UK 4: Salisbury University, Maryland

Publication date: May 8, 2012

More about this publication?
  • Adaptation, or the conversion of oral, historical or fictional narratives into stage drama has been common practice for centuries. In our own time the processes of cross-generic transformation continue to be extremely important in theatre as well as in the film and other media industries. Adaptation and the related areas of translation and intertextuality continue to have a central place in our culture with a profound resonance across our civilisation.
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