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CINEMATIC HAMLET: THE FILMS OF OLIVIER, ZEFFIRELLI, BRANAGH AND ALMEREYDA, PATRICK J. COOK (2011) Athens: Ohio University Press, 257 pp., ISBN 13-978-0-8214-1944-1, h/bk, $55.00 NABOKOV’S CINEMATIC AFTERLIFE, EWA MAZIERSKA (2011) Jefferson and London: McFarland & Company, Inc, viii+235 pp., ISBN 978-0-7864-4543-1, p/bk, £33.95 SCREENING SHAKESPEARE IN THE TWENTY-FIRST CENTURY, MARK THORNTON BURNETT AND RAMONA WRAY (EDS) (2006) Edinburgh: Edinburgh University Press, 218 pp., ISBN 07486 23515, p/bk, £22.99 FROM FILM ADAPTATION TO POST-CELLULOID ADAPTATION, COSTAS CONSTANDINIDES (2010) New York and London: Continuum, 176 pp., ISBN 978-1-4411-0380-2, h/bk, £55.00 ROYAL PORTRAITS IN HOLLYWOOD: FILMING THE LIVES OF QUEENS, ELIZABETH A. FORD AND DEBORAH C. MITCHELL (2009) Lexington: University Press of Kentucky, 327 pp., ISBN 9780813125435, h/bk, £35.50
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Document Type: Research Article

Affiliations: 1: Aberystwyth University, UK 2: University of Bristol, UK 3: Baskent University, Turkey 4: Bangor University, UK

Publication date: 2011-08-26

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  • Adaptation, or the conversion of oral, historical or fictional narratives into stage drama has been common practice for centuries. In our own time the processes of cross-generic transformation continue to be extremely important in theatre as well as in the film and other media industries. Adaptation and the related areas of translation and intertextuality continue to have a central place in our culture with a profound resonance across our civilisation.
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