Seeing double: Shakespeare’s polysemy in film. The case of Lady Anne in Richard III
Abstract:Richard III and in Richard Loncraine’s film Richard III (1995).]]>
Document Type: Research Article
Publication date: 2011-05-01
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- Adaptation, or the conversion of oral, historical or fictional narratives into stage drama has been common practice for centuries. In our own time the processes of cross-generic transformation continue to be extremely important in theatre as well as in the film and other media industries. Adaptation and the related areas of translation and intertextuality continue to have a central place in our culture with a profound resonance across our civilisation.
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