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Adaptation, or the conversion of oral, historical or fictional narratives into stage drama has been common practice for centuries. In our own time the processes of cross-generic transformation continue to be extremely important in theatre as well as in the film and other media industries. Adaptation and the related areas of translation and intertextuality continue to have a central place in our culture with a profound resonance across our civilisation.

Publisher: Intellect

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Volume 3, Number 3, 1 January 2011

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Editorial
pp. 225-226(2)
Authors: Hand, Richard; Krebs, Katja

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Pride and Prejudice and the adaptation genre
pp. 227-243(17)
Author: Cartmell, Deborah

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After Mrs. Rochester: Rewriting as re-vision
pp. 271-289(19)
Author: Macedo, Ana Gabriela

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The Tipping Point
pp. 305-328(24)
Author: Dickenson, Sarah Jane

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Reviews
pp. 329-338(10)
Authors: Collard, Christophe; Musca, Szabolcs; Raw, Laurence; Shaughnessy, Robert; Welsh, James M

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IndexVolume 3
pp. 339-339(1)

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Notes For Contributors
pp. 340-340(1)

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