Adaptation, or the conversion of oral, historical or fictional narratives into stage drama has been common practice for centuries. In our own time the processes of cross-generic transformation continue to be extremely important in theatre as well as in the film and other media industries. Adaptation and the related areas of translation and intertextuality continue to have a central place in our culture with a profound resonance across our civilisation.

Publisher: Intellect

More about this publication?
Related content
Volume 2, Number 2, 1 September 2009

< previous issue | all issues | next issue >

editorial

Favourites:Add to Favourites

Editorial
pp. 91-93(3)
Authors: Hand, Richard; Krebs, Katja

research-article

Favourites:Add to Favourites

KILL ME SENTIMENT: V For Vendetta and comic-to-film adaptation
pp. 121-136(16)
Author: Reynolds, James

Favourites:Add to Favourites

Metadaptation: Adaptation and Intermediality Cock and Bull
pp. 137-152(16)
Author: Voigts-Virchow, Eckart

Favourites:Add to Favourites

The Aesthetic Uncanny: staging Dorian Gray
pp. 153-165(13)
Author: Tunstall, Darren

Favourites:Add to Favourites

The Picture of Dorian Gray
pp. 167-183(17)
Authors: Tunstall, D. V; Wilde, Oscar

review-article

Favourites:Add to Favourites

Reviews
pp. 185-194(10)
Authors: Collard, Christophe; O'Thomas, Mark; Poore, Ben; Sant, Toni

Share Content

Access Key

Free Content
Free content
New Content
New content
Open Access Content
Open access content
Subscribed Content
Subscribed content
Free Trial Content
Free trial content
UA-1313315-26
Cookie Policy
X
Cookie Policy
ingentaconnect website makes use of cookies so as to keep track of data that you have filled in. I am Happy with this Find out more