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Abstract:

Drama Translation and Theatre Practice, Sabine Coelsch-Foisner and Holger Klein (eds), (2004) Frankfurt am Main: Peter Lang, 518 pp., ISBN 3631507550 (pbk), 58.00

Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction, Tony Howard, (2007) Cambridge: Cambridge University Press, xi + 329 pp., ISBN 0521864666 (hbk), 50.00

Shakespeare, Film Studies, and the Visual Cultures of Modernity, Anthony R. Guneratne, (2008) New York: Palgrave MacMillan, 346 pp., ISBN 1403967881 (hbk), $89.95

Watching the Lord of the Rings: Tolkien's World Audiences, Martin Barker and Ernest Mathijs (eds), (2008) New York, Washington, DC/Baltimore, Bern, Frankfurt am Main, Berlin, Brussels, Vienna, Oxford: Peter Lang, 297 pp., ISBN 9780820463964 (pbk), 16.50; ISBN 9780820463971 (hbk), 45

Document Type: Research Article

DOI: http://dx.doi.org/10.1386/jafp.2.1.79_4

Affiliations: 1: Vrije Universiteit Brussel. 2: University of Kent. 3: Salisbury University (Maryland). 4: University of East Anglia.

Publication date: May 1, 2009

More about this publication?
  • Adaptation, or the conversion of oral, historical or fictional narratives into stage drama has been common practice for centuries. In our own time the processes of cross-generic transformation continue to be extremely important in theatre as well as in the film and other media industries. Adaptation and the related areas of translation and intertextuality continue to have a central place in our culture with a profound resonance across our civilisation.
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