Adapting the adaptors: staging Davenant and Dryden's Restoration Tempest
This article is based on a recent revival of Davenant and Dryden's The Tempest; or, The Enchanted Island at the University of Hull, UK. It argues for the critical value of performance in altering perceptions of Restoration adaptations of Shakespeare and discusses the application of theoretical approaches to the revival of historically distant plays.
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Document Type: Research Article
Affiliations: University of Hull.
Publication date: 2009-05-01
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- Adaptation, or the conversion of oral, historical or fictional narratives into stage drama has been common practice for centuries. In our own time the processes of cross-generic transformation continue to be extremely important in theatre as well as in the film and other media industries. Adaptation and the related areas of translation and intertextuality continue to have a central place in our culture with a profound resonance across our civilisation.
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