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The filmmaker-narrator as a reflection of/on postcolonial African cinema: Henri Lopes’s Le lys et le flamboyant (1997) and Assia Djebar’s La femme sans sépulture (2002)

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Abstract:

This study examines the way that the postcolonial African filmmaker is represented in the fiction of two major African writers and cultural figures: the Algerian author, historian and filmmaker, Assia Djebar and the Congolese author, Henri Lopes. The partly autobiographical and partly imagined filmmaker of authors such as Djebar and Lopes, is a complex figure of cultural and ethnic ambivalence, selfquestioning, and tentative self-awareness that reflects a continuing dialogue of cultural meaning and reinvention. This dialogue fuels these authors’ witness to the importance of African cinema to the exploration of new forms of community.

Keywords: Africa; culture; filmmaker; identity; narrator; écriture de cinéma

Document Type: Research Article

DOI: https://doi.org/10.1386/ijfs.14.3.381_1

Affiliations: University of British Columbia

Publication date: 2011-10-28

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  • The International Journal of Francophone Studies offers a critical preview for a new development in the understanding of 'France outside France', with a thorough insight into the network of disciplinary issues affiliated with this study. The journal complements the thriving area of scholarly interest in the French-speaking regions of the world, bringing a location of linguistic, cultural, historical and social dynamics within a single academic arena.
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