This study examines the allegorization of women in Franco-North African film of the 1990s and 2000s. It argues that these contemporary representations trap women between hyper- and disembodiment, with the narration of their subjectivity becoming predicated upon the social violence enacted
upon their bodies. Allegory is shown to be a product of the film’s form and narrative, but also a result of its production and reception.
University of Illinois at Urbana-Champaign
Publication date: October 28, 2011
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The International Journal of Francophone Studies offers a critical preview for a new development in the understanding of 'France outside France', with a thorough insight into the network of disciplinary issues affiliated with this study. The journal complements the thriving area of scholarly interest in the French-speaking regions of the world, bringing a location of linguistic, cultural, historical and social dynamics within a single academic arena.