This report offers a descriptive account of a setting where group music-making is an integral part of the fabric of daily community life, and where the entire community becomes involved in musical interactions. It is a religious community with an explicit orientation towards hospitality
and welcome; the renewal of worship, and peace and justice in the world: as such, music is used to reflect and sustain these concerns. A musical hospitality is thus offered, which necessitates an appropriate pedagogy in order to include those who have little previous experience of music making.
In addition, the function and content of the music are critical in manifesting the philosophy of the community, leading to its generation and use of new songs, wee songs, and world church songs which supplement more traditional forms of church music, and help to both challenge, and nurture
the life of the gathered congregation.
The International Journal of Community Music publishes research articles, practical discussions, timely reviews, readers' notes and special issues concerning all aspects of Community Music. The editorial board is composed of leading international scholars and practitioners spanning diverse disciplines that reflect the scope of Community Music practice and theory.