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Authors: McRobert, Neil¹; Blake, Linnie²; Stephanou, Aspasia¹

Source: Horror Studies, Volume 3, Number 2, 26 September 2012 , pp. 305-314(10)

Publisher: Intellect

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Abstract:

HORROR AFTER 9/11: WORLD OF FEAR, CINEMA OF TERROR, AVIVA BRIEFEL AND SAM J. MILLER, EDS(2012) Austin: University of Texas Press, 263 pp., ISBN: 978-0-292-72662-8, p/bk, $55.00

HITCHCOCK AND THE CINEMA OF SENSATIONS: EMBODIED FILM THEORY AND CINEMATIC RECEPTION, PAUL ELLIOTT (2011) London and New York: I. B. Taurus, 231 pp., ISBN: 978-1-84885-587-8, h/bk, £56.50

THE THEOLOGY OF DRACULA: READING THE BOOK OF STOKER AS SACRED TEXT, NOËL MONTAGUE-ÉTIENNE RARIGNAC (2012) Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers, 246 pp., ISBN: 978-0-7864-6499-9, p/bk, $40.00, £34.95 (print), ISBN: 978-0-7864-8709-7, $25.21, £15.96 (Ebook)

Document Type: Research article

DOI: http://dx.doi.org/10.1386/host.3.2.305_5

Affiliations: 1: University of Stirling 2: Manchester Metropolitan University

Publication date: 2012-09-26

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Horror Studies intends to serve the international academic community in the humanities and specifically those scholars interested in horror. Exclusively examining horror, this journal will provide interested professionals with an opportunity to read outstanding scholarship from a variety of disciplinary perspectives, including work conceived as interdisciplinary. By expanding the conversation to include specialists concerned with diverse historical periods, varied geography, and a wide variety of expressive media, this journal will inform and stimulate anyone interested in a wider and deeper understanding of horror
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