Archival intimacies: Participatory media and the fashion histories of US women of colour
This article discusses the critical and curatorial aims, materials and methods that underpin a digital fashion archive devoted to the histories of US women of colour called Of Another Fashion. It argues for the utility of participatory media in efforts to create not only new historical records of minoritized fashion histories but also new systems of record-keeping. Of Another Fashion does more than simply add to the history of US women’s fashion. Relying heavily on the ethics of sharing and co-creation intrinsic to participatory media practices, it is shaped by a techno-feminist approach to the historiography of US fashion histories in which commitments to cooperation and difference are central.
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Document Type: Research Article
Affiliations: Pratt Institute
Publication date: 01 October 2014
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- Fashion, Style & Popular Culture is a peer-reviewed journal specifically dedicated to the area of fashion scholarship and its interfacings with popular culture. It was established to provide an interdisciplinary environment for fashion academics and practitioners to publish innovative scholarship in all aspects of fashion and popular culture relating to design, textiles, production, promotion, consumption and appearance-related products and services. Articles related to history, manufacturing, aesthetics, sourcing, marketing, branding, merchandising, retailing, technology, psychological/sociological aspects of dress, style, body image, and cultural identities, as well as purchasing, shopping, and the ways and means consumers construct identity as associated to Fashion, Style & Popular Culture are welcomed. The journal offers a broad range of written and visual scholarship and includes works done through various methods of research. We welcome conceptual, theoretical and translational applied research in the areas of fashion, style and popular culture. This journal hopes to stimulate new discussions in the fashion disciplines and to push the envelope of scholarship by welcoming new and established scholars to submit their works.
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