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Book Reviews

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The Film Theory Reader: Debates and Arguments, Marc Furstenau, (2010) London: Routledge, 304 pp., ISBN: 415-49322-6 (pbk), $49.95, ISBN: 415-49317-X (hbk), $136.00

Reeling: Do the Movies Have a Future?, David Denby, (2012)New York: Simon & Schuster, 347 pp., ISBN 9781416599470 (hbk), $27.00

Cinema’s Alchemist: The Films of Péter Forgács, Bill Nichols and Michael Renov (eds), (2011) Minneapolis: University of Minnesota Press, xxi + 271 pp., ISBN 9780816648757 (pbk), $27.50

New Zealand Film & Television: Institution, Industry and Cultural Change, Trisha Dunleavy and Hester Joyce, (2011) Bristol and Chicago: Intellect, 250 pp., ISBN 4781841504575 (pbk), £29.95/$50.00

New Zealand Cinema: Interpreting the Past, Alistair Fox, Barry Keith Grant and Hilary Radner (eds), (2011) Bristol, UK and Chicago: Intellect, 350 pp., ISBN 9781841504254 (pbk), £19.95/$40.00

Producing Bollywood: Inside the Contemporary Hindi Film Industry, Tejaswini Ganti (2012) Durham, NC and London: Duke University Press, 424 pp., ISBN 9780823352136 (pbk), $27.95

The Apu Trilogy: Satyajit Ray and the Making of an Epic, Andrew Robinson, (2011) London and New York: I.B. Tauris, 212 pp., ISBN 9781848855158 (pbk), £12.99

A Social History of Iranian Cinema: Volume 3, The Islamicate Period, 1978–1984, Hamid Naficy, (2012) Durham, NC: Duke University Press, 288 pp., ISBN 9780822348771 (pbk), $24.95, ISBN 9780822348658 (hbk), $89.95

Document Type: Book Review

DOI: http://dx.doi.org/10.1386/fiin.11.2.72_5

Publication date: March 1, 2013

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  • Film International covers film culture as part of the broader culture, history and economy of society. We address topics of contemporary relevance from historically informed perspectives. We wish to bridge the gap between the academy and the outside world, and encourage the participation of scholars from a variety of disciplines.
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