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Love, Sacrifice and Redemption: A triadic tale of women in Dreyer’s Day of Wrath (1943), Fellini’s La Strada (1954) and von Trier’s Breaking the Waves (1996)

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Keywords: Breaking the Waves; Carl Th. Dreyer; Day of Wrath; Federico Fellini; La Strada; Lars von Trier; femininity

Document Type: Research Article


Publication date: June 26, 2012

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