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Driving Deadhead off the Big Road: Pre-interstate Representations of the American Trucker in Raoul Walsh's They Drive By Night and Jules Dassin's Thieves' Highway

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Keywords: American cinema; Hollywood studio system films; Jules Dassin; Raoul Walsh; film noir; interstate highway system; labour; trucker

Document Type: Research Article

DOI: https://doi.org/10.1386/fiin.8.3.21

Affiliations: Louisiana State University in Baton Rouge, Louisiana.

Publication date: 2010-07-01

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  • Film International covers film culture as part of the broader culture, history and economy of society. We address topics of contemporary relevance from historically informed perspectives. We wish to bridge the gap between the academy and the outside world, and encourage the participation of scholars from a variety of disciplines.
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