A modern gesture: perpetual motion and screen suspense

Author: Pomerance, Murray

Source: Film International, Volume 5, Number 5, 25 October 2007 , pp. 42-53(12)

Publisher: Intellect

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Keywords: Alfred Hitchcock; Charlie Chaplin; F.W. Murnau; Modern Times; Psycho; The Last Laugh/Der Letzte Mann; Walter Benjamin; alienated labour; cinematic gesture; circulation; modernism; modernity; the revolving door

Document Type: Research Article

DOI: http://dx.doi.org/10.1386/fiin.5.5.42

Affiliations: Department of Sociology at Ryerson University.

Publication date: October 25, 2007

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  • Film International covers film culture as part of the broader culture, history and economy of society. We address topics of contemporary relevance from historically informed perspectives. We wish to bridge the gap between the academy and the outside world, and encourage the participation of scholars from a variety of disciplines.
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