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Book reviews

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Abstract:

Robin Wood Hollywood from Vietnam to Reagan And Beyond (Revised and Expanded Edition) New York: Columbia University Press 2003

Jonathan Romney Atom Egoyan (World Directors) London: British Film Institute, 2003.

Steve Chibnall & Julian Petley (eds.) British Horror Cinema London: Routledge 2002

Stan Brakhage Essential Brakhage: Selected Writings on Film-making by Stan Brakhage (ed. by Bruce R. McPherson) Kingston, NY: McPherson & Co. 2001

Eric Cazdyn The Flash of Capital. Film and Geopolitics in Japan Duke University Press, 2002

Scott Simmon The Invention of the Western Film: A Cultural History of the Genre's First Half-Century Cambridge: Cambridge University Press 2003

Ginette Vincendeu Jean-Pierre Melville: An American in Paris London: BFI 2003

Robert B. Ray How a Film Theory Got Lost and Other Mysteries in Cultural Studies Bloomington and Indianapolis: Indiana University Press, 2001

Val Holley Mike Connolly and the Manly Art of Hollywood Gossip Jefferson, NC: McFarland and Company

Annalee R. Ward Mouse Morality: The Rhetoric of Disney Animated Film Austin: University of Texas Press, 2003

Peter Lehman Roy Orbison: The Invention of an Alternative Rock Masculinity Philadelphia: Temple University Press 2003

Mark Kermode The Shawshank Redemption London: BFI 2003

Jan Lumholdt (ed.) Lars von Trier: Interviews (Conversations with Filmmakers Series) Jackson: University Press of Mississippi 2003

Sarah Street Transatlantic Crossings: British Feature Films in the U.S.A. (Rethinking British Cinema) New York: Continuum International Publishing Group 2002

Document Type: Research Article

DOI: http://dx.doi.org/10.1386/fiin.2.1.44

Affiliations: 1: University of Maryland, College Park. 2: George Washington University, Washington, D.C. 3: Lund University. 4: University of Southern California, USA. 5: University of Wisconsin-Madison, USA. 6: University of Kansas, USA. 7: Lund University, Sweden. 8: University of New Mexico, USA. 9: Film Studies at USC, USA.

Publication date: January 1, 2004

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  • Film International covers film culture as part of the broader culture, history and economy of society. We address topics of contemporary relevance from historically informed perspectives. We wish to bridge the gap between the academy and the outside world, and encourage the participation of scholars from a variety of disciplines.
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