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Free Content Drawing the real and the unknown: A look at a project by Gemma Anderson

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From March to November 2015, artist Gemma Anderson hosts the Cornwall Morphology and Drawing Centre (CMADC) at the Cornubian Arts and Science Trust (CAST), Helston, Cornwall. The aim of CMADC is to use drawing as the primary mode of investigation to learn about morphology, the study of form in nature. Through a series of drawing workshops, Anderson and her scientific collaborators identify and address questions that concern both scientific and artistic practice. This text focuses on the second workshop, in which mathematician Professor Alessio Corti worked in collaboration with Anderson to explore ‘Drawing in the Fourth Spatial Dimension’.
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Keywords: Anderson; art; collaboration; drawing; morphology; science

Document Type: Research Article

Affiliations: Tate St Ives

Publication date: 01 January 2016

More about this publication?
  • Drawing: Research, Theory, Practice promotes and disseminates drawing research with a focus on contemporary practice and its theoretical context. This journal seeks to reestablish the materiality of drawing as a medium at a time when virtual, on-line, electronic media dominates visuality and communication.

    This peer-reviewed publication represents drawing as a significant discipline in its own right and in a diversity of forms: as an experimental practice, as research, as representation and/or documentation, as historical and/or theoretical exploration, as process or as performance. It explores the drawing discipline across fine art, science and engineering, media and communication, psychology, architecture, design, science and technology, textiles, fashion, social and cultural practices.

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