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Segundo de Chomn and the early years of cinema: a revisionist perspective

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Segundo de Chomn is the Spanish film-maker from the silent era with a wider international dimension. But the study about him needs a permanent reformulation. First of all, due to the shortage of data about the specific moves in his career in the framework of cinema in its early years. Secondly, due to the harmful nature of some clichs told about him (pioneer of Spanish cinema, the Spanish Mlis). This paper offers a starting point for a revision of Chomn's work, from theoretical considerations and particular films, including Le Vie et passion de N.S. Jess Christ, Le fils du diable, Le courant lectrique or Symphonie bizarre.
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Keywords: Chomn; Spanish cinema; cinema of attractions; early cinema

Document Type: Research Article

Affiliations: Universitat Autnoma de Barcelona.

Publication date: 2009-08-01

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  • The Catalan Journal of Communication and Cultural Studies (CJCS) is committed to publishing research and theoretical articles in the fields of media studies, popular culture and cinema, public relations and advertising studies, social communication, new media, language uses in the media, communication and cultural policies, social and national identities, gender studies, sports and leisure, tourism and heritage, among other related issues. CJCS publishes double blind peer-reviewed articles and its aims and scope cover not only Catalan media and cultural systems but also other social contexts.
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