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Innovativeness, creativity and public policy: anecdotes, conventional wisdoms and evidence

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In this article, the key implicit assumptions embedded within the Creative Britain agendas are identified and the explicit or representative evidence base associated with these assumptions outlined. An attempt has been made to identify the weaknesses, contradictions and gaps in this evidence. Some persistence in these evidence gaps is discerned alongside a reluctance to explicitly engage with non-supportive research findings. Recourse to public choice economics is made to sketch a systematic and intuitively plausible series of explanations for this persistence and reluctance, and to frame an alternative policy course and set of guiding principles.

Keywords: Creative Britain; bureaucracy; creative industries policy; evidence-based policy; lobbying; public choice

Document Type: Research Article

DOI: http://dx.doi.org/10.1386/cij.2.3.247_1

Affiliations: University of Portsmouth.

Publication date: December 1, 2009

More about this publication?
  • The scope of the Creative Industries Journal is global, primarily aimed at those studying and practicing activities which have their origin in individual creativity, skill and talent, and which have a potential for wealth creation. These activities primarily take place in advertising, architecture, the art and antiques market, crafts, design, fashion, film, interactive leisure software, music, the performing arts, publishing, television and radio.We are pleased to announce that the Creative Industries Journal has been included in the Excellence in Research for Australia (ERA) list 2010.
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