This is a highly personal consideration of my role and identity as a film-maker delivered at the Holland Animation Film Festival in Utrecht 2010, focusing on some of the formative influences I drew from ‘live action’ film, and took in my long-established practice as an animator
and animation film-maker. Both the philosophic and technical understanding of the work of, among others, Ingmar Bergman enabled me to both think about and engage with animation in a hopefully distinctive way, an approach that I wanted then to readapt back into my own live-action feature, The
Forest, and a reworking of one of my earlier animated films, Crime and Punishment. This highlighted the particular place of the animator in the process and the degrees of control and choice in creating specific kinds of imagery, and the ways that it was possible to transfer life, motion and
thought between forms.
Animation Practice, Process & Production is a journal presenting, analysing and advancing how animation is created and shown. From Pixar to Parn, Aardman to X-Men, Motion Capture to Mobile Phone, GUI to Gallery, all forms of animation will be revealed and assessed. Illustrated contributions are invited from practitioners and scholars of animation. Innovative models of critical presentation and analysis are especially encouraged. All topics engaged with the practice, process and production of animation, from a range of perspectives, will be considered.