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This article examines the effects of political corruption in India, perceiving it as one of the major detriments for the nation’s growth and a major obstacle to the functioning of democracy and the rule of law, and arguing that its effect on the social fabric of society is the
most damaging as it undermines people’s trust in the political system, institutions, and its leadership. This article examines the portrayal of corruption and the alienation of the citizen in recent popular Telugu films, focusing in particular on Bharateeyudu (Shankar, 1996), Tagore
(VV. Vinayak, 2003) and Aparichitudu (Shankar, 1996), arguing that corruption, political as well as bureaucratic, has been the sub text if not the main theme of many Telugu films over the decades. It argues that the films are an attempt to reinstate the citizens, the middle class with both
their rights and responsibilities, as the bulwark of the polity.
Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.