Abstract:Many essays in this volume attempt to emphasize how the significance of a horror and/cult film does not and should not limit itself to its heuristic, epistemic value; in other words, as a vehicle to “learn“ about that culture and nation-state. Rather, with an accumulation of enough scholarship on Asian horror films, the scope and methods can vary, not to pigeonhole films to dominant theoretical frameworks, but to provide nuanced explanations to the relationship between films and their surroundings culture, industry, fandom, and aesthetics. The essays in this volume certainly take us in that direction plurality of interest, topic, and methodology.
Document Type: Research Article
Affiliations: University of Kent
Publication date: March 1, 2011
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- Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.
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