Asian Cinema

Cinema in Sri-Lanka: A Symposium
pp. 1-3(3)
Authors: Conrich, Ian; Gillet, Nelly

The Early Phase of Sri Lankan Cinema
pp. 4-13(10)
Author: Dissanayake, Wimal

Of Ethnic Battles, Truces, and a "National"1 Cinema: The "Bolly-and-Hollywood Syndrome" as a Catalyst in the Construction of Sri Lankan National Cinema
pp. 14-33(20)
Author: Tampoe-Hautin, Vilasnee

Post-Independence Sinhala Films: Milestones of Social Change in Sri Lanka
pp. 35-45(11)
Authors: Jayasinghe, Manouri; Dissanyake, Niluka

Prohibited Desires: The Military-Apparel Nexus and Its Politics of Sexuality in the Sinhala Language Cinema
pp. 46-60(15)
Author: Mel, Neloufer de

Reflections on Sexuality in the Modern Sinhala Cinema
pp. 61-76(16)
Author: Abeysekera, Sunila

"Reels on Wheels": Mobile Cinema in Rural Colonial Ceylon (1910-1974): An Interview with Hans Van Starrex of New Imperial Talkies Ltd.
pp. 77-83(7)
Author: Tampoe-Hautin, Vilasnee

Lester James Peries and the Evolution of Sri Lankan Cinema
pp. 84-97(14)
Authors: Uluwitiya, Tanya; Conrich, Ian; Gillet, Nelly

From Routes to Roots or Vice Versa: Transformation of Urban Space in China's "New Urban Films"
pp. 102-134(33)
Author: Lu, Hongwei

Representations of Gender in Malaysian Malay Cinema: Implications for Human Security
pp. 135-149(15)
Author: Basri, Fuziah Kartini Hassan

Red Theories, Blue Theories, and Beyond -- The Evolution of Cinema Studies and Theories in Mainland China
pp. 150-163(14)
Author: Xihe, Chen

Heim Movies: The Return of the Cyborg Double in The Ring Franchise
pp. 164-178(15)
Author: Ashby, Madeline

For the Sake of God: Religion, Militancy, and Identity in Pakistani Cinema
pp. 179-194(16)
Author: Dasgupta, Satarupa

Mother Earth Tuya's Marriage
pp. 195-214(20)
Author: Chen, Ya-chen

Doomsday, Past, Present and Future: Kinji Fukasaku's Virus
pp. 215-231(17)
Author: Williams, Tony

Spectacles, but no Wheelchairs
pp. 232-239(8)
Author: Pearson, Lyle

Representation of the Kwangju Uprising -- A Petal (1996) and May 18 (2007)
pp. 240-255(16)
Author: Kim, Chunhyo

The (Auto)biography of a Madman: Ambivalence and Ambiguity in Zhang Yang's Quitting
pp. 256-269(14)
Author: Zhu, Aijun

South Korea's Film Dilemma in the U.S. Market: "Copywood"1 or Asian New Wave?
pp. 270-280(11)
Author: Suh, HaeLim

Clepsydra: The Fluid Melancholy of What Time Is It There
pp. 281-291(11)
Author: Barton, David

The Transnational Reach of Korean Popular Culture in Asia: Influences of the Korean Wave on Understandings of Korea and Pan-Asian Identity
pp. 292-305(14)
Author: Yoon, Jiwon

Flashback: Notes on Watching Malayalam Movies in 1990
pp. 306-308(3)
Author: Slingo, Carol

Haili Kong and John A. Lent, eds. One Hundred Years of Chinese Cinema: A Generational Dialogue. Norwalk, CT: EastBridge, 2006. 272 + xxiv pages
pp. 313-316(4)
Author: Lu, Sheldon

Review of the Criterion DVD set (#386) of Sansho the Bailiff (Sansho dayu, directed by Mizoguchi Kenji, 1954, 124 min., b/w)
pp. 317-320(4)
Author: Ehrlich, Linda C.

The Willow Tree (Beed-e majnoon, 2005), directed and written by Majid Majidi, Iran, 2007, 96 min., color
pp. 321-322(2)
Author: Ehrlich, Linda C.

A Difficult Indian Double Feature: Amu (2006) and The Widow Colony (2005)
pp. 323-325(3)
Author: Pearson, Lyle

Vanaja (a girls name, Telugu, 2006, a film by Ranjesh Domalpalli)
pp. 326-326(1)
Author: Pearson, Lyle