2007 saw the tenth anniversary of Hong Kong's return to Mainland China following a century and a half of British rule. For China, the restoration was a matter of national pride. But the inhabitants had little say in the manner of their return. This article discusses the representation
of national identity in Journey to Beijing and Adeus Macau.
Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.