In general, four major factors are in place to support women's entries into the film communities: the nature of film industries, the availability of social patronage, the privileges accorded by social class, and education. These four factors play different roles in supporting women
to be a part of their directing circles. To sum up, social change and education are the key elements in drawing Korean women from the shadow into the light of opportunities, while social patronage and class are placed in priorities for Southeast Asian women. In all cases, education is a key
factor to promote them in integrating into the film industries. These four factors are either interconnected or single-handed in influencing women in their respective film industries.
Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.