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The Marathi Film Kunku and the Social Problems It Portrays

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If we reflect on Shantaram's film Kunku on the basis of this background, we will be able to understand why it was considered as "reformist" in nature. This film was based on author Narayan Hari Apte's novel in Marathi Na Patanari Goshta, which literally means "The World Will Not Accept." The novel was a landmark in Maharashtra's social reform movement denouncing arranged and venal marriages that virtually ignore women's rights. Because of these reformative features, it created a literary stir in the mid 1920s when it was first published.

Keywords: Hindu; Indian film industry; Kunku; Marathi; social change; women's rights

Document Type: Research Article

DOI: http://dx.doi.org/10.1386/ac.15.1.243_1

Publication date: March 1, 2004

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  • Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.
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