In December 2001 Just as Japan's "Disney" master animator-cum-director, Miyazaki Hayao, released his much awaited animation feature film, Spirited Away, in Hong Kong, My Life As McDull was also promptly released as promised by its production team. In retrospect, when Tsui
Hark's much-talked about animation feature film, A Chinese Ghost Story was screened in 1997, it also encountered the lurking presence of Miyazaki's so-called retirement epic animation film, Princess Mononoke, which also went on screen just days after the historic handover of Hong Kong to the
mainland Chinese government.
Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.