The most enduring figure in the cinematic history of Hong Kong martial arts has been folk hero Wong Fei-hung, now regarded at the level of symbol and myth The real WongFei-hung was born in 1847 in Xiqiao village, Nanhai county, in Guangdong province (Canton), and he died in 1924 at
the age of 77. He became a famous and respected martial artist in Southern China and also one of the province's best lion dancers, earning him the name "the king of the lions." A disciple cf the hung gar school of Shaolin martial arts, he was an expert in iron wire fist, five forms
fist, tiger vanishing fist and shadowless kick as well as highly skilled at using the long staff.
Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.